“Those who believe in telekinesis raise my right hand” Kurt Vonnegut
Florence, Sophistication and Great Marble Willies.
Leaving Florence you got the feeling that there are so many things right about this place: The devotion to Architecture and Heritage of Renaissance and Neo-Classicism. The great selection of food and drink. The people themselves seemed pretty friendly considering it a well-trodden tourist haven. And people looked so suave and elegant – almost precious. I couldn’t help feeling sophisticated by day 4. ‘Espresso, grazzie’
Obviously this feeling was totally bogus. But wow! You can’t really get over the sheer scale and historical importance of Florence as the birthplace and heartland all things stereotypically Italian: Frescoes, Italian Renaissance and all persons connected to it (here’s a list that just proves the all-encompassing change and importance it held from the centre of Florence http://en.wikipedia.org/wiki/List_of_Renaissance_figures), Chianti wine, gelato, abundance of great food and the archetypal ‘renaissance man’ of science, religious scholar, art and architecture, and probably really good offspinner – Leonardo da Vinci.
The renaissance lasted roughly from 14th Century until the 17th Century, so things took a while to catch on as people were still basking in the murk and penitence of the middle-ages. The Renaissance is instantly typified by clarity and clear lined proportions and symmetry in white marble and an instant love of Classicism typified through a ‘modern ideals’ of humanism. Questionable evaluations arise, but Florence seems to be the most important place to start for Renaissance.
Like all good movements one needs a place or person that can finance and interest the advances of other industries. That person was the Medici Family, possibly the richest and most important family save the Beckhams. http://en.wikipedia.org/wiki/The_medici_family. As a rich bankers and great investors in gold this dynasty had some sort of financial part to play in every piece of commissioned art work, building, scientific design, or social network – kind of Microsoft of the Renaissance era.
So, back to some sort of adventures. What I did was just walk around Florence going into gallery upon gallery and resting my eyes on more masterpieces and saintly views of the surrounding Tuscan hills. A lot of queueing for the private views of Botticelli’s ‘Birth of Venus’.
Places of wow:
The Uffizi Gallery – http://www.uffizi.com/. Which did consist of queueing for hours, so as all guide say get advance tickets.
Florence Cathedral and Giotto’s Tower – Great views of the hills and more precious frescoes and messy renaissance-graffiti on the walls.
Piazzale Michelangelo – for fantastic views of the city, grab a beer and look out yonder. Looming willies exist on this look out.
Florence Accademia – Get a glimpse the most famous nude. Michelangelo’s ‘David’ – great arse!
City Mayors: Palazzio Vecchio – Damien Hirst’s ‘For the Love of God’ is doing the rounds here, but if that bores just walk round the collections of the wealthy benefactors.
Boboli Gardens – Lots of nudes in stately grounds. More views and beautiful vistas.
Vivoli Gelataria – http://www.vivoli.it/ Great ice creams worth trying.
The San Lorenzo Food Market – walk around and sit down for lunch in one of the tratterias. Awesome paninos, salads and wine on offer!!
So back to the willies. Why so many naked men in Renaissance Italy, or in Florence for that matter. Well, obviously there’s a strong sense of adoration for the Greek and Roman times here. But, also as technology advanced there was firmer sense of spirituality based in ones existence on the earth as opposed to solely the afterlife. Da Vinci: “The beautiful machine of the human body”. The sense of proportion and perfect symmetry confirmed the mastery and conception of higher powers, thus leading to perfectly symmetrical drawings, sculptures, paintings, archways and buildings. But why is anatomy of willies, well slightly lacking?
“….. [Art] is concerned with the “ideal,” or “what ought to be.” The “ideal,” in most classical writing, refers to the way things would be if the form, the principle, that is operating through them were carried out to its completion or logical fulfillment.
“[Art], says Aristotle, rests upon two instincts in man—the instinct for imitation, and the instinct for harmony.
“… And in addition to taking general truths and persisting forms as its model, as its subject matter, art also subdues and recast the imitation it is making into a new harmony—a harmonious treatment, this time, of the materials through which a given medium of art works—of line and colour in painting, of sounds in music, of words in poetry.” – (From the introduction to Prefaces to Criticism by Walter Jackson Bate)
So the easy and abridged answer to the question is that: The ideal of Classical (Greek/Roman) art was to produce the truth in art. That ideal in Renaissance art had all to do with proportions of the whole image – termed ‘Verism’ (truth). So, having smaller willies the sculptures where emphasizing the glorious beauty of the whole. Obsessions in proportions meant that anything that would take attention away from the whole image, look disproportionate would break with the ideal of truth and beauty in the proportioned art form. Big willies, no sir! That would be wholly distracting and disproportionate. Godly forms in art should echo the ideal of real symmetry and proportionate beauty = truth. Also, it would add that “oo aint that big” factor for the birth of ‘Italian Stallion’.
One thing of note in Florence. Try trippa alla fiorentina or lampredotto both basically tripe sandwiches which you have with either a green (parsley sauce) or chilli sauce. These tripes mainly the fourth stomach and honeycombed one of the cow, mixed with udders, and tongues and tendons, sound a medieval offering but the offal is cooked for up to eight hours with herbs and vegetables and produce varied tastes and tender flavours. My highlight of Florence. Seemingly office workers, builders and Florentines come to get some tripe on their lunch break. Easily brought from carts or specialist cafes’ selling these delicious offerings. So, had enough of willies, get some cow offal down you.






















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